Two members of Syracuse’s The Brigadiers featured in Contemporary Color came out to watch the film with us at North Park Theatre on May 2nd, 2017.
The Brigadiers – Photo
Upcoming Screenings:
NEW DATE
February 23rd,
3:00pm (Part One) &
7:00pm (Part Two)
Hallwalls
March 6th, 7:00pm
Burning Books
March 14th, 7:00pm
Hallwalls
April 11th, 7:00pm
Hallwalls
May 16th, 7:00pm
Hallwalls
June 13th, 7:00pm
Hallwalls
July 18th, 7:00pm
Hallwalls
August 15th, 7:00pm
Hallwalls
September 19th, 7:00pm
Hallwalls
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"Epic yet intimate, A Bread Factory delivers the sprawling storytelling and nourishing drama audiences might expect from its imposing title."
We screen A Bread Factory by Patrick Wang (both pt. 1 &
2 w/ intermission) this Saturday at Hallwalls Contemporary Arts Center!
A Bread Factory, Part One: For the Sake of Gold (2018)
rottentomatoes.com
Forty years ago, Dorothea (Tyne Daly) and Greta (Elisabeth Henry) moved to the town of Checkford and bought an abandoned bread factory that they transformed into an arts space. Here they host movies, plays, dance, exhibits and artists. It's where civic groups and immigrant communities can meet, wher...Tonight at Hallwalls Contemporary Arts Center!
"A post-noir masterpiece."
- Jonathan Rosenbaum, The Chicago Reader
"In John Cassavetes’s personal cinema, the director was always trying to break away from the formulas of Hollywood narrative, in order to uncover some fugitive truth about the way people behave. At the same time, he took seriously his responsibilities as a form-giving artist, starting with a careful script (however improvised in appearance). Nowhere was the tension between Cassavetes’s linear and digressive, driven and entropic tendencies more sharply fought out than in THE KILLING OF A CHINESE BOOKIE (1976), one of his most fascinating achievements."
- Phillip Lopate
We screen The Killing of a Chinese Bookie by John Cassavetes tomorrow night at Hallwalls Contemporary Arts Center in conjunction with Torn Space Theater's new stage adaptation!
The Killing of a Chinese Bookie: The Raw and the Cooked
criterion.com
In John Cassavetes’s personal cinema, the director was always trying to break away from the formulas of Hollywood narrative, in order to uncover some fugitive truth about the way people behave. At the same time, he took seriously his responsibilities as a form-giving artist, starting with a carefu...